Here is the remaster of my 2010 arrangement of Onward. The picture quality hasn’t improved but hopefully the sound is much better and you will hear the effect of the resounding guitar harmonics.
Below I have copied the commentary of the original post from 2010.
Thanks for watching!
I am playing my 4001 CS bass which is unplugged. Holding it against the back of my (plugged) 360 guitar… a Rickenbacker Kiss.
I experimented with different guitar tunings that would resonate well with the song’s tonalities. Onward is a based one the I, VI, V and vi of C major, and modulated a step higher afterwards.
The guitar tuning I did (eventually using a capo) was selected to accommodate all these chords. Ones sound better than others. B minor was, for example, a bit less successful, as well as all passages with an F sharp.
Then I adapted the whole piece – melody and a sort of accompaniment with the lower register which is not related to the actual bass line. The initial riff is my transformation of the original intro, and the coda.. I came up with a way to modulate back to C major. A bit dangerous too cause B flat (G minor) and A flat (F minor) were used… but then finally I got the best resonance spot to end the piece on an improvised Safe-like finale.
One very interesting thing is that – after tuning both instruments with the tuner, I found the resonance wasn’t happening… so I fine tuned on my bass by ear, and found the resonance spots for each string… maybe a few cents lower than the “right” tuning. I know it’s still not perfect but it’s a fact that it wasn’t working with both guitars tuned by the tuner. I think this has to do with the tempered scale of the fretboard that is “fighting” with the natural harmonics of the guitar’s open strings.
While not optimal, I decided to post it to show you the idea. It has some interesting sounds and with more time I will come again to it!
Tunings (bottom to top)
Bass – E A D G
Guitar (Capo 8th fret) – C F A D G B
11/08/2020 in More Music, Solo
Tagged 360, 4001, 4001CS, bass, bass cover, Bass Driver, bassline, Chris Squire, DI, electric bass, Falcão, guitar, Miguel, Miguel Falcão, miguelbass, Onward, Rickenbacker, Rickenbacker Kiss, Sansamp, Squire, Tormato, YES
Here’s a remastered version of New State of Mind, that I originally did in 2010.
31/01/2017 in Chris Squire bass covers
Tagged 4001, 4001CS, 5-string, bass, bass cover, Bass Driver, bassline, Billy Sherwood, Chris Squire, DI, electric bass, Falcão, HD Remaster, Miguel, Miguel Falcão, miguelbass, New State of Mind, Open Your Eyes, Rickenbacker, Sansamp, Squire, Thumb, Warwick, YES
Here’s a remaster of the Amazing Grace solo that I originally played in 2009.
Today is Chris’ 67th birthday – Happy Birthday, Chris!
04/03/2015 in Chris Squire bass covers, News
Tagged 4001CS, Amazing Grace, b:assmaster, barker, bass, bass cover, Bass Driver, bass solo, bassline, brassmaster, Chris Squire, DI, fuzz, Gibson, Maestro, Malekko, Miguel Falcão, moog, pedals, Rickenbacker, Sansamp, solo, Squire, Taurus, vst, vsti, YES
For professional reasons I have had little time to make a brand new clip, so I recycled an old bassline recording of mine. November is coming – Happy 40th birthday “Fragile”!!
23/10/2011 in Chris Squire bass covers
Tagged 4001, 4001CS, bass, bass cover, Bass Driver, bassline, Bill Bruford, Chris Squire, DI, electric bass, Falcão, Fragile, Jon Anderson, Long Distance Runaround, Miguel, Miguel Falcão, miguelbass, Rick Wakeman, Rickenbacker, Sansamp, Squire, Steve Howe, YES
When I started to listen Yes from the 70’s, my friend lent me Tormato – he thought that it would be a nice mid term to start with…
That was when I started to appreciate some Yessongs. I recorded the vinyl LP to a cassete… all of it? No… I didn’t care too much for 2 songs that were not so “beautiful” or “melodic”… indeed they seemed to me only noisy and disjointed. Those were “Release, Release” and “On the Silent Wings of Freedom” (would you believe?)…. So… perspective and tastes will always change – always irrationally – and while some songs we enjoy at first listen and start getting tired of them, others spend years before we start to like them, but once we get the picture – our own picture – it will stay forever.
This is an old recording from 2000 that I transformed into a video clip, because I’m short of time for now but I’d still like to make something for my own and for those of you who like to watch my videos.
12/06/2011 in Chris Squire bass covers
Tagged Bass Driver, Chris Squire, DI, Fender, Fiesta Red, Flex 75, gibson thunderbird, Herco, Jazz Bass, miguel bass, Miguel Falcão, miguelbass, Release Release, Rotosound, RS66 LD, Sansamp, Swing Bass, Tormato
Here’s a song I made for Chris, called… “For Chris”! Happy Birthday to You!
Posted in Solo
Tagged 4001, 4001CS, bass, Bass Driver, Chris Squire, DI, electric bass, Falcão, Miguel, Miguel Falcão, miguelbass, moog, pedals, Rickenbacker, Sansamp, Squire, Taurus, YES
These are my wishes of Merry Christmas for all of you visiting my music.
May the Music be with you always!
19/12/2010 in Chris Squire bass covers
Tagged 8-string, Ampeg SVX, bass, bass cover, bassline, Choir, Chris Squire, Christmas, DI, eight-string, Gerard Johnson, Gustav Holst, Holst, Miguel, miguel bass, Miguel Falcão, miguelbass, Personent Hodie, Piae Cantiones, preamp, Sansamp, Sonus, Swiss Choir, Xmas, Zon
Perhaps my favourite Michael Steele bassline, but there are many… This was one that I started playing bass with, back in the days I bought the album in ’86 and I got my first bass on the following year. What strikes me the most about this bassline are the subtle passages on chord transitions, which are so good taste, very discrete and make the whole song flow. Listening carefully to Michael’s playing here, I can guess that she did the whole song in one take, for many of the passages here are really thought of “on-the-fly”, as she never repeats the exact same pattern on similar passages. She must have had the song so present that, along with her abilities, was able to let herself go with the groove. This bassline is a study on how you can make several great sounding basslines on a simple chord structure, and doing “your thing” without imposing your playing. By the way, Michael definitely wouldn’t need it as the is shining with her voice. September Gurls was written by Alex Chilton in 1974 and covered by The Bangles on the “Different Light” album, from 1986.
07/09/2010 in More Music
Tagged Alex Chilton, bass cover, Bass Driver, bassline, DI, Different Light, Fender Precision, Michael Steele, Micki, Miguel Falcão, miguelbass, Sansamp, September Gurls, The Bangles, wine red
This clip includes the same audio that I recorded in 2008. The bass audio production was improved and slightly over-mixed to make it more audible. Youtube’s audio compression is much better than 2 years ago and that largely improved the results. Thank you very much Simon Gilman for another excellent contribution with the transcription!
Download the transcription here.
29/07/2010 in Chris Squire bass covers
Tagged 4001, 4001CS, bass, bass cover, bass score, bassline, Chris Squire, DI, electric bass, Falcão, Fish Out Of Water, Hold Out Your Hand, Miguel, Miguel Falcão, miguelbass, Rickenbacker, Sansamp, Simon Gilman, Squire, standard notation, Transcription, YES, You By My Side
This is an old cover from 2001 where I added some non-bass parts played on the bass, to fill in for “Disillusion” and the guitar intro of Würm. The tremolo effect is a Boss TR-2 pedal, while the final fuzz was done with the multi-effects Boss ME-8B, along with it’s octave effect at the very end. The transcription is another kind contribution from Simon Gilman. Hope you enjoy it!
Download the transcription here.
10/07/2010 in Chris Squire bass covers
Tagged 4001, 4001CS, bass, bass cover, Bass Driver, bassline, boss, Chris Squire, DI, Disillusion, electric bass, Falcão, fuzz, Life Seeker, ME-8B, Miguel, Miguel Falcão, miguelbass, octave, octaver, Rickenbacker, Sansamp, Simon Gilman, Squire, Starship Trooper, The Yes Album, TR-2, Transcription, tremolo, Würm, YES