Tag Archives: Trevor Horn

Video

Into The Storm

Entering the Christmas Season “Into The Storm”, one of the many highlights of the “Fly From Here” album, featuring Chris’ distinctive Mutron III sound. Schindleria Praematurus! Thank You Chris!

Bass: Rickenbacker 4001 CS

Strings: Rotosound Swing Bass RS66LD (45-105, stainless steel)

Effects: Amplitube 3 (Envelope Filter on bridge pickup) T-RackS (compressor on both pickups)

Signal path: Bass→PC→T-RackS + Amplitube 3

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Video

Machine Messiah (HD Remaster)

Around six years ago I was experimenting with video effects and recorded this cover of Machine Messiah. Since then, YouTube’s audio and video compression capabilities improved a lot so I figured that this one could be sort of remastered both sonic and visually. As I had the green screen behind me, and although the lighting put a big shadow on it, I decided to make some different video effects, not as flashy as the first version. Most of all, I hope now the sound is better and you enjoy this cover of one of my favourite Yes compositions and basslines!

Bass: Rickenbacker 4001 CS

Strings: Warwick Red Strings (45-105, stainless steel)

Preamp: Sansamp Bass Driver DI (BDDI)

Effects: Amplitube 3 – T-RackS CS Vintage Compressor 670

Signal path: Bass→BDDI→PC→T-RackS

Video

Fly From Here (ii) Sad Night at the Airfield

Dear friends, here is my cover for part ii of Fly From Here – Sad Night at the Airfield.

For this track I had to use my 5 string Warwick.
Interesting fact that Chris’ Tobias has an extended range not only low-wise but also high. That repetitive high F sharp that Chris plays on his first (D) string corresponds to a 27th fret! Even my Warwick has “only” 26 so I played it on the G string.
I really like this bassline. Many details and slight nuances are hidden because of the kind of mixing that was made on this track. I hope that I didn’t miss too many… and that you will hear better how Chris thought of the different passages on an apparently simple chord progression.

Then there is that middle bass solo with a Chorus effect , almost sounding like a “detuned” vibrato.

Other interesting aspect that I found was the amount of editing that was made possibly by Trevor Horn. I tried to illustrate with the video what I perceived from that post-editing. Not like common “rock” productions – It seems that bass notes are chopped and used elsewhere without necessarily wanting to “disguise” so nobody notices it. In other styles this is very common to do… Trevor Horn maybe was here responsible for this editing. I think it suits very well the album concept… it’s not too different of what they did with Close to the Edge, only with new technology and musical context.

Well I hope you enjoy the clip. Happy Easter to all.

Video

Fly from Here (Overture, Pt I – We Can Fly)

Celebrating the NEW YES ALBUM IN 2011!! *** now available worldwide ***

Machine Messiah

This was the 1st practice take with video and I decided to keep it and didn’t make subsequent takes! But I practiced a lot over the last week. Since I can’t go to the shows of the “In The Present Tour 2008”, this is my way to celebrate the comeback of the great “DRAMA” to a live Yes concert!!!!

Bass: Rickenbacker 4001 CS

Strings: Warwick Red Strings (45-105, stainless steel)

Preamp: Sansamp Bass Driver DI (BDDI)

Signal path: Bass→BDDI→PC