Here is an update and remaster of my 2008 cover of Roundabout, including new guitar overdubs and a some corrected notes on the secondary bassline, at the “Drifting Cloud” middle section.
Here is the video I have made to celebrate the 72nd birthday of Chris Squire. It’s “And You and I” and I have tried to go through the various possible overdubs in the recording, while also adding some of the live features, such as the inclusion of bass pedals.
06/03/2020 in Chris Squire bass covers
Tagged And You And I, bass, bass cover, bass lesson, bass pedals, bassline, Bill Bruford, Chris Squire, Close to the Edge, Jon Anderson, Miguel Falcão, miguelbass, Paradriver, Rick Wakeman, Rickenbacker, Rickenbacker 4001CS, Sansamp, Sansamp Paradriver DI, Steve Howe, YES
Last December I had the pleasure to perform a free improvisation session with Marcelo dos Reis, on the occasion of the anniversary of Marcelo’s own label Cipsela Records.
Free improvisation is a completely musical ground for me, although I have been regularly participating in some improvised music events, but the challenge is always renewed, especially because this was the first time I ever played with Marcelo – hopefully there will be more!
I announce to my dear friends in the channel that this year I leave my regular job, and dedicate myself to Music in full-time. Therefore I am at your disposal for musical services and of course continuing with the online lessons.
In 2020, the fee for online lessons will drop from 20 Euro (one hour). This will also apply to the current students, of course! Please do check all information at the Online Lessons page. I will be glad to answer your questions by email and help you to accomplish your goals learning the bass.
Thank you and Happy New Year “Hopefully, Eventually”.
04/01/2020 in Lessons, News
Tagged bass lesson, Miguel Falcão, miguelbass, Online Lessons, Skype
Wishing a Merry Christmas and Happy New Year!
This week I received news from our friend Simon Gilman, who contributed 9 years ago (tempus fugit!) with his own bass transcriptions of Yes and Chris’ songs, in which I had played the (audio) bassline.
Those were Astral Traveler, Starship Trooper and Hold Out Your Hand.
This time, Simon has written another set of transcriptions using my videos as reference, and was kind enough to share them again with us, this time in pdf format! So, without further ado, here they are!
A Venture_Bass score by Simon Gilman
Awaken_Bass score by Simon Gilman
Does It Really Happen_Bass score by Simon Gilman
Looking Around_Bass score by Simon Gilman
On the Silent Wings of Freedom_Bass score by Simon Gilman
You can also visit Simon’s YouTube channel and watch some more of his work and bass playing!
Thank you very much, Simon!
This summer, at Plovdiv’s Ancient Theatre, I attended Ensemble Trakia‘s 45th anniversary concert. Once again, a fabulous show with Bulgarian traditional dances and music. In my recording you will have the chance to hear very well the double-bass of my good friend Stela Petrova, who has featured on a special video generously recorded for me, demonstrating some applications of the double-bass in Bulgarian folk. One great opportunity to know how the bass works in this unique kind of music, with several meter changes and complex arrangements, but always with a genuine essential soul.
Bass pedals cover for “Madrigal”. A lot of the work consisted in getting a sound on the bass pedals close to the original. I think Chris also was very thoughtful in that respect – he didn’t choose the usual “Taurus” sound which has more contour with raspy highs. That’s why I think he went for the “Tuba” preset, which sounds much more discrete. Of course I wanted to underline the bass line but I realized that too loud would be overpowering all the song, so I tried to find a balance. It’s possible that Chris would like the pedals to sound louder in the album. Unfortunately, the video clip version has bad audio – perhaps a good quality of that mix would be as Chris liked. In any case, the notes are what I hear from that version, so it’s Chris’ choice (discounting any mistake from me). I especially like the B he plays over G major, (1st inversion) which he uses to descend to D, in the final verse – that was mixed out of the album version.
Here’s one more beautiful memory of the Masterclass show with the fabulous PAUL GILBERT. “Sir, you need to calm down”, a track from his latest album “Behold Electric Guitar”. With the great Sérgio Marques on drums and your bass player, on April 12th, at my city – Coimbra.
Once again, my gratitude to Marco Matos of Virtuosos da Guitarra for the invitation to play for one of the greatest guitar players in the world.
You can watch the previously released post, with more videos from this show.
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